The Veiled Violence of Comedy: A Reflection on the 2022 Academy Awards Incident

The 2022 Academy Awards will forever be etched in our collective memory, not for its celebration of cinematic achievement, but for the unexpected altercation between Will Smith and Chris Rock. This event sparked a whirlwind of discussions, think pieces, and monologues, each reflecting the observer’s worldview. Yet, beneath the surface of this public spectacle lies a deeper, more profound manifestation of our cultural psyche—what I call the “Common Knowledge Game.”

The Common Knowledge Game is a societal dance where individuals make gains for themselves, often at the expense of others, through behaviors deemed socially acceptable. In this instance, comedy served as the vehicle for such behavior. Badinage, persiflage, repartee, and mutual put-downs are not mere forms of entertainment; they are tools we employ to highlight the failings of others while elevating our sense of self-worth. We laugh at this socially sanctioned insanity, both as participants and as observers.

To illustrate this phenomenon, one might draw a parallel between modern comedic exchanges and the ancient practices of voodoo. Voodoo queens and kings wielded spiritual and political power, operating on the belief that spirits, rather than a singular God, influence daily life. They connected with these spirits through rituals involving dance, music, chanting, and symbolically, snakes. A darker aspect of this belief system involved voodoo dolls—figures into which needles were stuck to harm or manipulate others.

Just as the voodoo practitioner uses words, incantations, and chants to summon and harness spiritual power, comedians use humor, wit, and mockery to assert social dominance. The intent behind both practices is strikingly similar: to bring about a desired outcome by leveraging the invisible forces at play—whether they be spirits or societal norms.

The incident at the Academy Awards serves as a microcosm of this larger interplay. When Rock made a joke at the expense of Jada Pinkett Smith, it was an act of socially acceptable “violence.” It was a jab, a needle in the voodoo doll, aimed at eliciting laughter and, by extension, elevating his status. Will Smith’s reaction, though physically violent, was also a form of this same game—a bid to assert his worth and defend his dignity.

This episode invites us to consider the broader implications of using language and humor as tools for self-elevation. When we engage in this Common Knowledge Game, we may not realize the harm we inflict on others. Just as the voodoo practitioner believes in the power of their incantations, we too must acknowledge the weight our words carry and the impact they have on those around us.

In light of these reflections, there emerges a pressing need for a more conscious and responsible use of language, especially in public discourse. Imagine a culture where the primary aim is not to tear down but to build up, where humor is a bridge rather than a weapon. This shift requires us to move beyond the superficial and to engage with one another on a deeper, more empathetic level.

We must ask ourselves:

  • What is the intention behind our words?
  • Are we using humor to connect or to divide?
  • How can we elevate ourselves without diminishing others?

The hullabaloo at the 2022 Academy Awards was more than a fleeting controversy; it was a reflection of our cultural dynamics and the invisible games we play. By examining the parallels between comedy and voodoo, we gain a deeper understanding of the power of language and the importance of intention.

As cultural observers, thought leaders, and social commentators, it is our responsibility to steer the conversation toward a more mindful and constructive use of language. In doing so, we can transform our interactions from acts of invisible violence into opportunities for genuine connection and growth.


Bruce Paullin

Born in 1955, married in 1994 to Sharon White

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